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December 30, 2012

Those Things 2013

Here's a quick list of things I'd like to see more and less of in 2013.

Less Snark: And I say this as a (at times) painfully sarcastic wise-ass, but we definitely could use a little more respect and a lot less snark in conversations and the national debate. It seems like everything today is coated in a heavy crust of snark, be it national news or entertainment news or just simple everyday conversations. "Everybody's a comedian" has never been so true as today. I think my main issue with snark is that it usually is in place of discussion of actual solutions (which, obviously, are a lot harder to come up with than a snappy retort.) Personally, I find most cable news and a lot of media, like Entertainment Weekly, hard to digest because it seems more focused on people showing how smart they are than telling me what is going on or what we can do. And, again, I'm as guilty of it as anyone so I'll try to tone it down a bit myself. Earnestness in 2013!

More Civic Pride: This is another one that I need to work on but I think we need to be more involved in our communities. We seem to have become a nation of people who post on the computer about what we see outside of our windows, rather than a citizenry that goes outside to make a change. Hell, even posting on the computer too much seems to annoy people and get your defriended or your status updates hidden. My first step of community outreach has been miniscule - heading to local stores over online shopping or big chains and also getting shirts of local eateries/bars to promote my local businesses. Obviously, I have to step it up but I'd like to see neighbors rally around their similarities as much as they argue over their differences.

Less "says nobody ever": The gag of making a statement you disagree with and ending with "says nobody ever" is a good one but it's been beaten to death, especially on Twitter. It's a good gag but just like one of my faves ("That's what she said"), it needs to be used more judiciously moving forward.

More Due Diligence: One of the main problems with social media is that it seems to have moved discourse away from making full, thought out arguments and towards carpet bagging quick points/thoughts. One of the best examples of this issue was a New York Times article that said, in terms of gun control, we should follow Australia's lead. The writer cited a report, people shared the story online, but if you read the cited report, it concluded that Australia's methods couldn't be replicated in the US and we couldn't follow their lead. What I'd love to see next year is more people (again, myself included) judging or picking apart their own opinions as much as they do their opposition's.

Less Finger Pointing: Listen, we all make mistakes. Most every problem has multiple causes. And the blame game usually ends with everyone talking about who's to blame until everyone is tired of the issue at hand and then quitting the discussion before anything has really been discussed or solved. What we really need is...

More Self Awareness: And this just isn't about the news or discourse; artists need to realize that, if they want to reach a mass audience, they have to consider the audience when they are creating their art. This isn't to say that people necessarily need to water down what they are doing but understand that, in most cases, when a film doesn't do well, it's not because the audience didn't find it, it's because it didn't find the audience. (Obviously, there are exceptions to this but I find that most times when people complain that they didn't get the audience they seem to think they deserved, their work isn't that great.) I myself find that, after work or after a long week, I tend to drift towards the more mindless fare. It's not that I don't appreciate high art but most of the time nowadays, I'm looking for entertainment or a diversion. Films like "Blue Valentine" might be amazing achievements but I can't help but walk out of the theater wondering, "Why did I just put myself through that?" Yes, it would be nice if studios spent more time on their blockbusters so they weren't so stupid but, at the same time, how many of the great screenwriters are willing to work on those films, knowing the restraints and that they'll have to answer to a number of execs, test groups, etc. In the end, be it an artist or a pundit or a politician, people need to realize that getting the chance to reach out to the people doesn't mean that the people are required to listen.

And finally, (and this reflects this piece as much as the world its about), I'd like to see less posturing and more action. Some time in 2010, I stopped listening to President Obama's speeches because they're fairly pointless without some sort of actions behind them. As for myself, I keep talking about changes I'm going to make, goals I'm going to achieve, but, honestly, I then get lazy and don't pursue them with the fervor that they and I deserve. The Annie Dillard quote, "How we spend our days is, of course, how we spend our lives" seems obvious but I feel like many people, especially me, seem to bemoan a lack of progress but we basically spend our days talking about progress rather than trying to make it happen. In fact, I feel like I type this same sentiment every time the New Year rolls around. Hopefully, this is the year I heed my own advice.

December 22, 2012

Happy Holidays

The ol' blog has fallen off this month but come the 29th or 30th, it'll be back with a vengeance. Happy Holidays everyone and check back in before the New Year.

December 07, 2012

Liev Lives

Liev Schreiber has always struck me as an actor who was stuck in between being a leading man and a great character actor. He was always a little too good looking to be a supporting player but he didn't have that "It" to carry a movie. I think heading to TV is the right choice for him and it seems like he's found a perfect vehicle in "Ray Donovan" from Showtime.

Showtime's other new show "Masters of Sex" also seems interesting but it feels more like a movie or a mini-series than a series.

It seems like Showtime is really making a push to challenge HBO in the pay cable original content wars.

Songs To Get Stuck in Your Head

If you need some songs to get stuck in your head, Skylar Grey and Ryan Lewis & Macklemore have exactly what you want.

Ryan Lewis & Macklemore speak to me a bit since I've never understood the $50 for a t-shirt phenomenon.

December 06, 2012

Cinema Round-Up

I've been busy trying to make up for this year's lost time and gained weight so I haven't been able to write up much about the latest movies I've caught. There have been some good, some not so good but none bad, which is refreshing (granted, I skipped most of the ones that just looked awful.) So going from least to most enjoyable, here's some quick hits.

Lawless: This was a slow movie that offered absolutely nothing new to the genre. The love story between Shia and Mia was a complete waste and seemed completely wedged in. The main storyline ground to a halt whenever one of the relationship scenes popped up. It definitely felt like something from a book that was kept in, despite the fact that the adaptation made it fairly pointless. Honestly, the entire film felt like a failed adaptation.

The Amazing Spider-Man: I hadn't been this unengaged by a movie in quite some time. Nothing in the film stood out. Even Andrew Garfield and Emma Stone seemed to be going threw the motions. And I know this might be because I'm from an older generation but obviously CGI actions scenes leave me cold and this film's seemed faker than the Raimi Spider-man's did at the time. It'll be interesting to see how the next Spider-man movie does; they'll need some great casting (and Jamie Foxx as a villain is an interesting choice) because the first film certainly didn't inspire many followers.

Killing Them Softly: Killing Them Softly is based during the 2008 election and, as the movie gets going, the new reports about the struggling economy are interesting, as they mirror what is going on in the underworld economy... a problem that Brad Pitt's hitman has been brought in to fix. The problem, however, is that the new reports keep on popping up, hammering the metaphor on the nose and into the ground. There are some nice moments, and a surprising amount of laughs, but, in the end, it's just one of those films that you walk out of wanting to like more than you did and I think most people who liked the film would give it only a lukewarm recommendation (aka It's a rental.)
The standout of the film, however, is Scoot McNairy who is completely unrecognizable from his other big role of the year, as one of the hostages in Argo. He does a great job as a brain dead Bostonian. But there is one issue that stuck with me. If the film is set in Boston (it was shot in Louisiana but McNairy has the Boston accent and mentions a couple of cities in Mass), then someone needs to smack whoever did the research because McNairy pronounces Haverhill as HAVE-er-hill; anyone from Mass knows that it's pronounce HAY-vril.

Holy Motors: Holy Hell. One of the most confounding theater experiences of my life. I still don't know what the hell happened. As I've noted before, if you like Gonzo Art Films, check it out. If you require even the smallest semblance of traditional storytelling, you should probably skip it.

Flight: The most interesting part of Flight is that Robert Zemeckis basically made a studio movie about faith. He was able to push the religious film past execs who probably wouldn't have gone for a straight crisis of faith film by laying on a veneer about alcoholism and coping with addiction and having a huge action set piece in the beginning (which is pretty damn good.) But in the end, the film seems like it is really about a man struggling with temptation and loss of faith. The problem is, unfortunately, that it doesn't really say too much. John Goodman and Don Cheadle are an interesting pair, playing a kind of Good Devil/Bad Devil pair that keeps pushing Denzel towards doing one sort of wrong. If you didn't realize Goodman's character was a devil, Zemeckis slaps you in the face with it by playing the Rolling Stones' "Sympathy for the Devil" both times he arrives. (All of the music in the movie is laughably on the nose.) The film also suffers from one ending too many.
It's a decent film but is ultimately forgettable. It really could find a second life and gain popularity if they sell the religious angle when it comes out on DVD but I doubt the studio will go that route.

Silver Linings Playbook: Well, my crush on Jennifer Lawrence is certainly back. It died a bit after Hunger Games but she is pretty awesome in Silver Linings Playbook. In fact, the whole cast is great. The big names are getting the attention but Jackie Weaver is perfect in it, John Ortiz seems like he's the next John Leguizamo (great Latino actor who'll never get a great leading role unless he writes it for himself), and Paul Herman aka Marvin the accountant from Entourage does a tremendous job that one would think would FINALLY earn him a picture on IMDB. I can understand why some people might not get why it's up for an Oscar; it's not an epic film and it doesn't even really deal with mental illness all that well (the somewhat light take on the subject stuck out more than usual when I saw it as I had just heard the news about KC Chiefs linebacker killing his girlfriend and then going to the stadium, thanking his coach and general manager for the opportunity they gave him, and finally turning around and shooting himself) but it's a kind of throwback movie that is just an entertaining ride. David O. Russell's direction is top notch and while it may be a bit of a trifle, it's worth a watch. I don't think it should win the Best Picture Oscar (I wouldn't expect it to win any major awards) but it definitely has a place in the discussion.

I still haven't updated my rankings yet but, in case you were interested, these films would fall on the list something like this:
#2 (After Perks of Being a Wallflower/Argo): Silver Linings Playbook
#10 - After Headhunters: Flight
#11 - After Bernie: Holy Motors
#12 - After Holy Motors: Killing Them Softly
#16 - After Savages: Amazing Spider-Man
# 18 - After Haywire: Lawless

December 05, 2012

The Best Scene of the Year

OK, this might not actually be the best scene of the year but it's one of the most memorable. "Holy Motors" is an absolutely bizarre film that is apparently a metaphor for the death of film and the changing times of movie-making (or something) but after one crazy scene after another, the filmmaker gives everyone an intermission. And then this happens.

"Holy Motors" is most certainly not for everyone (the audience I saw hated it) and I have to admit that I was completely confused and am still not completely sure what went down but if you like gonzo art films, you should give it a chance.


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