Oklahoma’s making the news with a proposed ban on hoodies. Mind you, Oklahoma is an open carry state. So waltzing around with a gun is OK but wearing a hoodie is part of the problem. It would also outlaw people wearing masks in public (save for Halloween or masquerade parties) because lord knows that when robbers break into a store and put a mask on to thwart cameras, they just walk around all day in the masks. I mean, if someone is ignoring the whole ban on armed robbery, is a ban on a mask really going to act as some sort of deterrent?
I really wish Right Wing Gun Supporters would use their gun logic when attacking other American freedoms. Can people not really wear something to protect their head in the rain or cold because criminals use them while committing crimes (oh, and wearing a hoodie or mask while committing a crime is already against the law in OK.)
On an unrelated note, if you were ever wondering why people hated gentrification, it’s when people move into a condo next to a playground and then complain that the playground should be torn down because it’s too noisy. Kids playing for four hours a day is too much for these people. They think these children should walk down the block to a different playground. I want to be more positive in 2015 but, honestly, I think the best resolution would be to lower one’s faith in humanity and you won’t be as disappointed or frustrated all the time.
If you’re a fan of the BBC’s Sherlock and need a fix, I’d recommend Miss Fischer’s Murder Mysteries, currently available on Netflix. Essie Davis gives a great performance as a 1920’s socialite who decides to become a private investigator and thorn in the side of the police. I’ve only watched the first two episodes but it’s a fun little trifle that has strong performances yet doesn’t take itself too seriously.
During my years in reality TV, I’ve become all too aware of the “Wouldn’t It Be Great” note. It usually comes down from a network executive who, after watching a cut of the show, conjured up something that never happened and wonders if we could put it in the show. “Wouldn’t it be great if these two got into a fist fight?” “Wouldn’t it be great if something more exciting happened?” Well, yes, it would be great but, when working in reality TV, there’s only so much we can do with the footage we have to work with. If something doesn’t happen, it doesn’t happen. In scripted, however, you can make these things happen and it seems like the people involved with “The Imitation Game” opted for flashy over factual. In the end, “The Imitation Game” is a somewhat ironic name for a movie that seems completely unconcerned with actually presenting much in the way of truth when it comes to Alan Turing.
Once you get past the fact that this probably should have been called a film inspired by Alan Turing than a movie actually about what happened, “The Imitation Game” is a solid enough movie carried by top notch acting from everyone involved. The script also does a nice job switching between multiple timelines.
Ultimately though, this one seems like a rental to me.
I recently saw “Selma”, the new biopic about Martin Luther King Jr. focusing on his presence in and the marches in Selma, Alabama in 1965 and I can’t recommend it enough. Not only is the film exquisitely made by director Ava DuVernay alongside Director of Photography Bradford Young (a talent whose time/recognition has finally arrived) with a powerful performance by David Oyelowo but it highlights the problems of the modern civil rights movement and the Occupy Era in general.
What makes “Selma” such a great movie is that it doesn’t deify Martin Luther King Jr. like many movies have (and likely will). It shows King as a flawed man who made mistakes. He was a man who grew tired of fighting one battle after another: The Equal Rights Amendment, Bussing, voting right, etc. It also showed how “victories” were often small steps of progress. In fact, there was one particular use of the n-word at the end of the film that was an absolute gut punch and elicited a gasp from some in the audience. By the end of the film, a comparison to The Walking Dead popped in my head – no matter what battle King and his supporters won, they were still surrounded by racism and victory just meant that it was time to move to another front to fight and they knew that they probably wouldn’t live to see the end of the evil.
But perhaps most interestingly, the film did not shy away from the fact that, to a certain extent, MLK was a “race-baiter”. That term has become a rallying cry for conservatives and Fox News but this film makes no bones about what the marches and protests were aimed to do. Early in the film, there’s an important discussion about how the protests in Albany failed because the sheriff there was smart and knew that if he didn’t crack heads, there’d be no story for the media to tell and nothing would happen. King and the Southern Christian Leadership eventually had to move on. And move on to Selma they did because they knew that there sheriff there was a Good Ol’ Boy who would make the mistakes and cause the ruckus that was needed to capture the cameras and get the attention of the world.
Watching the film, it was impossible not to think of current events but it was also impossible to ignore how much better prepared and focused the protests of fifty years ago were. After Ferguson and Eric Garner, there were protests across the country but what was the goal? I feel like many people look at the protests of the 60’s and just think they were all about a blanket “Fight for Equality” however, as this film shows, each protest had a specific focus. In Selma, the issue was voting rights and if they could show how awful things got in one city, they could help push a nationwide bill. In short, Martin Luther King Jr. protested for something while today we just seem to gather against. How many people at the protests or who wear the “I can’t breathe” shirts would be able to answer the question, “What’s next?” Today when people exclaim, “Something must be done”, what’s to be done is no more conceived than the abstract “something”.
With Occupy, it’s even worse because not only do many people not seem to have an idea of what they want to do but they are arguing against countless different issues and have no singular voice. While the Congress passes laws that push us right back to the brink (the latest move being allowing Freddie Mac to give loans with little money down), Occupy has little power or voice to even shed light on the moves, nevermind try to make a change.
I’m starting to ramble now and I’d hate to push people away from “Selma” because of all of this political talk – it’s a great movie even beyond everything I’ve written here – but it’s all a little frustrating when you see so much made of people speaking out about things like Ferguson or Eric Garner but not really saying anything productive or making any actual moves to make a change. (Nevermind the fact that, all too often, riots have replaced non-violence.) At this point, I think pro athletes need to put away their t-shirts and pick up their checkbooks and start supporting local candidates or legislation that could make a difference. But, then again, after saying all this, I look myself in the mirror and say, “Well, what are you going to do about it, Mr. Smarty Pants” and the extent of my action is a blog post so maybe I should heed my own advice before faulting others.
Officer Darren Wilson won’t stand trial for the murder of Michael Brown. While this has received the lion’s share of the press coverage, it’s just one example of what is becoming an American Epidemic. There was a minor uproar when John Crawford III, a black man carrying a BB gun he was going to buy at Walmart, was gunned down by police and even less when no indictment was passed. 12 year old Tamir Rice was recently gunned down by police in Cleveland for holding a BB gun despite the fact that a) Ohio is an open carry state and b) the person calling 911 said that the gun might be fake. The bottom line is that We have more of these grand juries on the horizon and, unfortunately, little chance that we’ve seen the last black person gunned down by police, so it’s time to look for possible changes to the system.
1. Reassessing how we try police officers
Here’s a write-up on the prosecutor Bob Mcculloch from CNN in August.
McCulloch’s father was a police officer and was killed on the job in 1964 by an African-American man, when McCulloch was 12, McCulloch’s spokesperson Ed Magee confirmed to CNN. In addition to his father, McCulloch’s brother, an uncle and a cousin all served with the St. Louis Police Department, and his mother worked as a clerk at the department, Magee said. McCulloch, who as a teenager lost a leg to cancer, made it his career ambition to become a prosecutor. He was quoted by the St. Louis Post-Dispatch as telling a reporter, while first campaigning for the office: “I couldn’t become a policeman, so being county prosecutor is the next best thing.”
I mean, this is a guy who’d get dismissed in a millisecond if he was in a jury pool and instead he’s the prosecutor? Listening to his tone deaf speech before reading the grand jury’s decision, it was hard to believe that he wasn’t working for the defense. To me, it seems unreasonable to make the same people who work with cops every day to make cases against criminals be the same people who try police officers in court. The conflict of interest seems overwhelming. I believe it is time to accept the fact that the prosecutors and police have failed to self-regulate themselves and there needs to be some sort of move to add some accountability to the cops who are giving their departments a bad name.
There seems to be three options here. 1. Moving Internal Affairs departments from out of the Prosecutor’s Office and giving them their own legal team that will handle all officer related cases. 2. Creating some civilian oversight committees with some teeth to help regulate what is going on in police departments and prosecutors’ offices. They won’t be able to do much in the courts but they could have some say in discipline for these officers. At the very least, Darren Wilson panicked and did a lousy job protecting himself and the community. It was the classic example of adding a gun to the situation just making matters far worse. 3. Have the Federal courts handle all potential felony indictments/cases of police officers. Currently, federal prosecutors only take on these cases from a civil rights angle but it seems like they might want to handle the main cases as well, because of the aforementioned conflict of interest with prosecutors and police.
2. Body Cameras on All Police
I noticed a lot of politicians tweeting about body cameras but the question is, how many will do anything besides tweet about it? A recent study in Rialto, CA showed “more than a 50% reduction in the total number of incidents of use-of-force compared to control-conditions, and nearly ten times more citizens’ complaints in the 12-months prior to the experiment.”
But, again, can we count on the state governments to make these moves? Politicians often rely heavily on support of police unions. How many would cross them by enacting a law that requires all cops and/or cruisers to have cameras? Should this be something that has to be mandated from the Federal level?
3. Investment/Training in Alternate Weapons/Tactics
Darren Wilson’s testimony stated that he did not have a taser because the police department only had a few of them and Wilson didn’t like them because they were uncomfortable. This is horrible reasoning for not carrying something that could help avoid killing people.
It’s the 21st century and we live in the epicenter of the gun loving world. If we don’t have viable alternatives to help police officers simply pulling out a gun when they feel threatened, we need to get on it. And we need to work on training cops to rely on the less lethal forces when possible.
4. Boost in police/IAD budgets
Instead of the federal government spending money to militarize the police, how about we spend some coin training our officers and making sure they have non-lethal ways to protect themselves? Many of the recent police shooting have involved rookie or newer officers. I’m not sure if anything can be done about the nerves that rookies feel when first put into the field but I think we have to take a look at the training that these officers are receiving. And things like body cameras or tasers for all cop cars, etc. cost money. We need to invest money in our police departments not to just help them keep us safe from criminals but, sadly, to help keep us safe from the bad officers out there.
Now that the fires are out and all of the symbolic protests are over, it’s time to focus on making some actual changes that might help prevent future tragedies like this.
I haven’t checked in lately and I’ve seen a bunch of films so I should throw out some quick thoughts. To the surprise of not many, I wasn’t wowed by any of them.
This is a well made action movie. Unfortunately, I went in to this movie with high expectations and walked out a disappointed. I was expecting more depth when it came to Chris Kyle’s struggle to re-acclimate to life stateside and would go more into his work with veterans and helping them get themselves back on their feet. But those scenes were just peppered him between and rushed through after the battle scenes. On top of that, the key adversary in the film was a fictional character, something which I don’t think the film needed, especially given how it affected Kyle’s motivation.
Now, that being said, the battle scenes are indeed well-crafted and tense and worth the price of admission. Just don’t go in expecting too much from the script side of things. Then again, the film I’d compare it to is Foxcatcher, another film that seemed to only graze the struggles and emotions of the characters, but many people have been singing the praises of that film so what do I know?
FINAL RECOMMENDATION: I’d recommend going in expecting a well crafted action film. If you take more from it, it’ll be a pleasant surprise. If not, you’ll have gotten what you went for.
A Most Violent Year
Early on in “A Most Violent Year”, Oscar Isaac’s Abel, our hero for the film, states that he stares his customers in the eye and tell them the truth. And that is what director J.C. Chandor does, for better or for worse. While his debut film “Margin Call” is still one of my favorite movies of the decade and I was a bit let down that that film’s crackling dialogue didn’t appear in this film, the truth is that it shouldn’t have. Wall St. doesn’t sound the same as the heating oil business of 80’s NYC. And while those suits in “Margin Call” were moving and shaking and shifting to avoid their downfall, Abel was standing his ground, trying to show that he could make it due to hard work and commitment; he didn’t need to commit fraud or break the law to succeed. While “Margin Call” featured forces of nature, “A Most Violent Year” is about a rock that refuses to be moved.
The problem, of course, is that forces of nature are more interesting to watch than rocks. Especially when the driving force behind our hero is simply that he’s driven. He’s not a man who loves his job; he simply sees it as a great business opportunity. Again, it’s a well made film but it just lacked someone to really connect and hold on to. Near the end of the film, a climatic scene elicited laughs from the audience, even though I’m pretty sure it was supposed to be more of a gut punch that tickle.
FINAL RECOMMENDATION “A Most Violent Year” is a good film that will likely be forgotten sooner than later. If you have a taste for 70’s cinema, it could be a pleasant night as a retnal but it’s not a film that I personally would recommend to everyone.
The biggest problem for Inherent Vice is that it is a bizarre stoner detective comedy, which means it is going to draw comparisons to “The Big Lebowski”. It doesn’t stand up to those comparisons. The film certainly has its laughs but the motivation behind the film and the stakes are lacking. Whereas Lebowski was a stoner getting himself in deeper (and weirder), “Inherent Vice” often feels more like a stoner wandering around and discovering new things that are weird and seem only tangentially related to the main purpose, which doesn’t seem to even need much detective work to start with. In fact, the main purpose becomes the secondary purpose somewhere along the way.
FINAL RECOMMENDATION: While it won’t be nearly as divisive as Paul Thomas Anderson’s previous films “The Master” or “Magnolia”, this is one that will likely be embraced by his fans, hated by his critics, while most people walk out of the theater thinking, “So, that happened.” Head in with lowered expectations and you might walk out with a pleasant enough buzz.
The Gambler features some great writing and knockout performances by the supporting cast of John Goodman, Michael K. Williams, and others but the main character was simply too bratty for me to get into it. Honestly, for much of the film I felt like Mark Wahlberg’s character was having more of an early mid-life crisis than he was suffering from gambling addiction. He seems less like a man struggling with the impulse to keep gambling and more like someone who was trying to commit suicide by loanshark. Brie Larson (Short Term 12, 21 Jump Street) does a solid job with absolutely nothing to work with. Her character is sorely underwritten. On the bright side, the direction by Rupert Wyatt is top notch and its the first time in a while that I’ve seen a gambling movie that has you really feeling the wins and losses. He did a great job building the tension of those scenes but the rest of the film was just too aimless.
FINAL RECOMMENDATION: Wait until Netflix and, even then, there’s no need to rush to see it. It’s not bad but it’s not good either.
I went in expecting a kind of schmaltzy “Big city kid comes home to his small town and refinds himself and his way” and the film wasn’t even able to knock that out of the park. Robert Downey Jr. and Robert Duvall make the film watchable but there are simply to many b-stories that don’t go anywhere or go places that make you think, “Wait, THAT is where you’re ending it?!” I’d really like to read the original script to see what inspired people to make the film and what they did to it to come up with this final piece of work.
FINAL RECOMMENDATION: This is a hungover and nothing else is on and you stumble across it on HBO type movie.
The lives of driven, broken men are at the heart of “Whiplash” ad “Nightcrawler”, two of the best films of the year. They follow two men who strive for greatness – one is a broken man hoping to find his place while the other is about a young man who might have been broken by his pursuit of greatness. While I would highly recommend both films, I do have to say that I would not recommend watching the trailer for either of these films as they give up too much (WAY too much in Nightcrawler’s case.
“Whiplash” is about a music student who sheds literal blood, sweat, and tears in his pursuit of being one of the great drummers in history. His drive to be remembered is cultivated by his teacher played by the amazing J.K. Simmons. Simmons’s character is as obsessed as Teller’s but his drive manifests itself in a maniacal, emotionally abusive approach to teaching. The film is an terrific conversation starter about the price of greatness, the drive it takes to get there, and, of course, if it’s all worth it in the end. Does being remembered by the world really matter if, while you’re around, you have little involvement with the world around you? How far is too far? When is enough enough?
As for “Nightcrawler”, it is basically the embodiment of George Bernaard Shaw’s quote, “The reasonable man adapts himself to the world; the unreasonable one persists in trying to adapt the world to himself. Therefore all progress depends on the unreasonable man.” Jake Gyllenhaal plays an unhinged man who stumbles upon the profession of being a nightcrawler – freelance videographers who chase ambulances, fire trucks, and cop cars in hopes of nabbing footage of crime scenes. Jake’s character is a sociopath who has learned on the internet how to be in the business but has never learned how to actually be human – a trait that, as luck would have it, helps when it comes to dredging up news footage that fulfills the famous Evening News mantra of “If it bleeds, it leads.” Every step forward that Gyllenhaal’s character takes pushes on someone else’s morality. Again, the question is raised – how much is too much? How far is too faR? When is enough enough?
The tone of “Nightcrawler” is pitch perfect. It’s darkly comedic but the comedy never infringes on the sense that the film takes place in the real world. That’s a crucial element for films; far too often, dark comedies go too far and become farce. Gyllenhaal toes that line perfectly and will likely see some nominations at year’s end because of it. It’s one of the wickedest films I’ve seen in some time’s and the final act is absolutely superb.
Both of these films have been lost in the hype surrounding Birdman and the upcoming Interstellar but neither should be missed. If you don’t see them in the theater, you should definitely flag them for movies to catch as soon as they are available on DVD/streaming. Which reminds me, 22 Jump Street is now available on streaming (to buy, not on Netflix yet) and I’d recommend checking that out. Ice Cube and Channing Tatum have a couple of scenes that had me laughing out loud in the theater and are locks for any list of funniest scenes of the year. Also, “Chef”, my #2 movie of the year, is available to watch at home. Here’s the trailer for it; thankfully, it’s the type of trailer that let’s you get the gist of the movie but doesn’t give away the store while trying to sell the film.
First off, I have to say that if you’re a fan of ultra-violent b-movies, than you should disregard this review. “John Wick” is a film that apparently feeds the needs of the fans of the genre and is wildly popular but it is most certainly not a film like “The Raid” or “Taken” that will have much crossover appeal.
The gist of “John Wick” is, well, John Wick wants revenge and kills a bunch of people while trying to get it. And he kills most of them by shooting them in the head by close range and his plan of attack is usually little more than a. Walk In b. Start Shooting. The lack of creativity or, well, much of anything besides martial arts and head shots is what disappointed me the most. There were a couple of moments that made me sit up but those two were more for the brutality than anything else.
The film did serve up its fair share of b-movie dialogue which was funny but it wasn’t enough to make the movie all that entertaining. Again, if you’re a fan of the genre, apparently this movie is for you. But if 100 minutes of arm twisting and people getting shot in the head doesn’t suit you, then you should pass. Or just watch the trailer because “John Wick” makes for a great trailer but a forgettable movie.
BIG WIN! Finally had some picks come through for me last week so I made a decent chunk of change. Going off of my Yahoo! Pick ‘Em league, I’m 42 – 33 against the spread and 52 – 24 in picking winners straight up. Sadly, the games I choose to bet usually seem to be the ones that I get wrong.
Still, last week I won $275, which I believe leaves me at around $200 in the black for the two weeks that I’ve actually gotten around to betting this weekend. Let’s see if I can keep the momentum.
Colts -3 over TEXANS: Well, I didn’t have faith in the Texans last week and they covered the spread (but lost the game) however I like the Colts better than Dallas and the short week could slow Arian Foster down. I’m going with Colts -3 for $25.
Patriots -3 over BILLS: While I am a Texans doubter, I’m still a Bills believer and am not sure if the Patriots will be able to maintain the momentum (or the concentration) that they had last week against Cincy. Also, I think the Bills’ defense line could cause a lot of problems for Tom Brady and Co. I’ll take the Pats to win but I’m not betting on it.
Carolina +7 over CINCINNATI: I might change this, depending on what’s up with AJ Green. My original thought was that Cincy would be focused to make up for their awful performance on Sunday Night (and the game is at 10am and nobody will be watching them so they won’t choke) but if Green is hurt, they might not have enough weapons to cover the spread. For now, I’ll go with Carolina to cover but no bet.
Pittsburgh +2 over CLEVELAND: Old habits die hard but I just think the Steelers are the better team. They haven’t been blowing me away, however, so I’ll stay away from betting on this one.
Jacksonville +6 at TENNESSEE: Obviously I’m not putting money on Jacksonville but I think they could give the Titans problems, especially since they are on their third string QB right now. And moving on from the Toby Gerhart experiment will probably help the offense. Not sure that they can take the road W but I’m feeling pretty good about them keeping it close.
Packers -3.5 over DOLPHINA: The Packers offense is finally clicking and their defense is making enough plays to be a semi-respectable unit. Ryan Tannehill is feeling good after a throttling of the Raiders in Londom but I think the Fish come back down to Earth when they face a real NFL team. $25 on Packers -3.5.
Detroit 1.5 over MINNESOTA: I’m a fool for always picking Detroit on the road but I can’t seem to help it. At least I’ve learned not to put money on the Paper Lions.
Denver -8.5 over NY JETS: NY always seems to rally whenever their coach is in peril. The Giants are better at it but the Jets have done enough to keep Rex Ryan employed. However, I think that run is about to end. The Jets simply aren’t a good team and I’m not sure how fired up many of them are to keep Rex around. $20 dollars on Broncos -8.5.
Baltimore -3 over TAMPA BAY: Tampa Bay stunned the Steelers but I’m sure the Ravens are aware of that and won’t let themselves get surprised by the Bucs. Also, Vincent Jackson is a little banged up so the passing attack, already down Mike Evans, might not be able to carry the day.
San Diego -7 over OAKLAND: The Raiders are terrible and the Chargers have enough injuries each week to keep them from resting on their laurels. MAYBE Oakland shows some pride and saves face by keeping it close but I’d be surprised if the Chargers didn’t put the hammer down on them early and often. $15 on Chargers -7.
Chicago +3 over Atlanta: Like Pittsburgh, Chicago is a team that I have a hard time believing aren’t as good as I seem to think they are. But also, I think the Falcons are a mess and Matt Forte should be able to have a monster game against them. No bet.
Washington +3 over Arizona: I’m wavering on this one because Arizona is banged up and Washington isn’t THAT bad and they kept it close with Seattle on Monday Night. Ultimately though, I think Arizona is pissed off and, well, I have to eventually pick a home team, don’t I?
EDIT: Or maybe I don’t. With Carson Palmer out and Drew Stanton recovering from a concussion, I’m going to put my hopes in Washington to surprise the Cardinals on the road.
Dallas +8 over Seattle: I might end up changing this one but for some reason, my gut is telling me that the Cowboys are able to keep this one close. The one reason I might change it, besides the fact that I’m picking yet another road team, is that the Seahawks played a VERY sloppy game on Monday so they might be more focused than usual. Obviously, no bet on this one since I can’t even decide who to pick when no money is on the line.
PHILLY -2.5 over NY Giants: Eli is back! stories are starting to pop up which means it’s probably time for a return of the Eli face. This could be the game of the week but ultimately, I’m going to go with the home team.
San Francisco -3.5 over ST. LOUIS: The Niners have blown some games so they need to take care of opponents that they know they can beat. And they know they can beat the Rams. And so do I so $25 dollars on San Fran -3.5.
As for Teasers/Parlays:
$100 6 point teaser on Denver -3, Chargers -1.5, San Fran +2.5
$20 parlay on Denver -9, Green Bay -3.5, Colts -3, Chargers -7.5, Niners -3.5
$20 6 point teaser on Bears +9, Broncos -3, Packers +2.5, Colts +3, Steelers +8.5, San Diego -1.5, Niners +2.5
Progressive Parlay: Ravens, Bears, Broncos, Packers, Colts, Steelers, Chargers, Niners (the line for each game; just got too lazy to type them all out again.)
BE WARNED THIS REVIEW HAS SPOILERS!
OK, now that that is out of the way, “Gone Girl” was basically everything I feared it would be when I heard who was directing it and who was cast as the leads. Not that I dislike David Fincher but I think he’s a little too cold to sell the first half of the book. Now part of me thinks the problem might have been that, having read the book, I knew what was going to happen but even still I didn’t think Fincher’s tone and choices helped sell Amazing Amy as the book had.
Also not helping was Rosamund Pike, who I feel like always seems a bit disconnected and icy in her roles. I didn’t really feel like there was much of a change to her Amy. She didn’t sell the original, filled-with-life Amy to me. I think the role needed someone you were used to seeing in those roles and then have them subvert that take. Rachel McAdams would have been a good choice. Even Gwyneth Paltrow could have done a better job. Similarly, I never bought Affleck as a Missouri guy pretending to be something else. I think he’s too ingrained as a Northeastern Liberal Elite for me to buy into him in this role. Or as a guy who liked reality TV and Outback. Not to pick the It Boy of the moment but someone like Chris Pratt would have been a better choice.
And the ending. Man, the ending. While I loved most of the book, I felt completely disappointed by the ending and I had read that they had altered it to fix it. Instead, what they took away (if I remember correctly) was that Amy was holding something over Nick’s head which kind of forced his hand a bit. Although staying was still his choice and, well, it fell as flat in the movie as it did in the book.
All of that being said, the movie was fine. I thought it was better than Girl with the Dragon Tattoo but I think it’ll be a film that is forgotten over the years. Also, I have to agree with the tweet that I read that complained that Fincher had become rather conventional. While I was impressed with how they handled the plot device of the diary entries, direction-wise, there really wasn’t anything that felt all that inspired. I’m not saying that I need something like “Panic Room”‘s camera moving through coffee pots but the whole thing just felt as cold as Amy was believed to have been.
The best part of the movie was the humor. I know that a lot of people point out the social satire in the movie but do we really need more jokes about how awful cable news is? About how perception is more important than reality? Isn’t the Catch 22 of it all that in order to be in on the jokes about the stupidity of the shows that the masses watch, one has to watch the shows themselves? Don’t get me wrong; the moments were funny and well one but I just felt more of a nodding acknowledgement of the joke than anything that laugh out loud funny. And on a related note, I’m sure many Republicans will start calling themselves Nick Dunne, victims of the out of control “War on Women” that is labeling honest men as criminals and the media painting them as victims. Obviously, that’s not the point of the movie but since when do these guys ever need to care about actual points being made.
I was pleasantly surprised by Tyler Perry. Kim Dickens and Carrie Coon but did great jobs, Scoot McNairy nailed another small role, and Neil Patrick Harris was sufficiently creepy in the role of Desi.
In the end, “Gone Girl” was just fine. Again, maybe some of that has to do with the fact that I knew where the story was going but whereas the book inspired enthusiasm, the movie simply kept my attention.
“Gone Girl” is one of those films that I won’t argue against but I certainly would never argue for. I can understand why people like it and agree with the people who didn’t. I expect it to end up in a lot of Snubbed lists come award season; unless this Winter is terrible, I just don’t see it garnering the love that many people were projecting for it.
Bands to Watch 2014
Terriers: A couple of down and out private detectives get in over their head. From The Shield's Shawn Ryan and Ocean's 11 scribe Ted Griffin. 13 episodes on Netflix.
Luther: Starring Idris Elba (Stringer Bell in The Wire) as a driven, angry, and dangerous London detective who pushes the limits and sometimes steps over the line. 10 episodes on Netflix (Season 3 not yet available.)
Sherlock: Modern day take on Sherlock Holmes. 6 episodes on Netflix (episodes are longer than normal, around 90 minutes or so.)
The Good Wife: Alicia Florick gave up her dreams of being an attorney when she became the wife of a rising politician. When he is arrested and sent to jail, she has to decide whether to stand by her philandering man while raising her family and getting back into the legal world. Season 1 - 4 on Hulu Plus.
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